BA Hons Education & English

This first semester module offers an introduction to the study of English at university level. It offers a foundation for students who are interested in the historical and critical analysis of literary texts and for those who want to write creatively for themselves. It's the first module in the English degree and the English and Creative Writing degree.

In taking this module you'll have an opportunity to understand how particular historical and social contexts shape literature and to discuss ways in which historical literature continues to live and have relevance to the contemporary reader.  You'll also study in detail the ways in which literary texts are constructed. In understanding the mechanisms that make literary texts work – the choices made by an author about genre, form, and language – you'll become a subtler, more-attentive reader and a better-informed and better-equipped writer.  

Reading lists:

• English 1A Reading List 2023-24
• English 1B Reading List 2023-24

This class introduces students to a large and rich seam of disciplinary knowledge. It is an introductory class of potential interest to all who want to understand more about Education. Some of the key content to be addressed in the module is around the following:

• the field of study that is education: what it is and how we know that
• the context of education: some contribution of political, historical and economic dimensions to curriculum, schooling, policy, globalisation
• education achievement: some contributions of psychological, sociological and philosophical perspectives to topics such as learning, diversity, gender

On this module, students from across disciplines work together to learn about children and the communities in which they live; children's health and wellbeing; child protection; children's voice; children's play and play places. The notion that the health and wellbeing of children and young people is central to the advancement of society is a seminal theme in this module. 

The placement experience has been designed to allow students to undertake a work placement with children and young people from 0 - 14 years.  Placements will be provided in a range of settings outwith the mainstream classroom.

These will situate texts in context, from genre to historical period and theory. The texts include poetry, drama, novels,  short stories, life writing, and screenplays and you'll have the chance to choose between critical and creative writing responses for one assessment on each class.

This class explores how Scottish fiction and drama of the 20th and 21st centuries creates the idea of Scotland.

This class looks at a range of literary texts and how they interpret and create the idea of ‘human’ at different points in history.

The purpose of Culture, Society, Formation is to introduce students to a sample of foundational texts which have informed and transformed our understanding of culture and society, and to consider the impact that these understandings have had and continue to have on education.

The overall purpose of this class is to develop your understanding of educational thought and language. Because this class is not organised around a given profession (e.g. teaching in schools) the discussion of education will be quite general and applies to any educational context, from parenting, to school, to college, to lifelong learning and informal education. ‘Education and Learning’ addresses questions that are at the heart of understanding what education is and what learning is. That these terms denote different things is an important starting point.

This class aims to introduce you to some of the major forms and themes in the 20th century American novel with some more contemporary content. The module investigates how major social and historical issues have shaped some of the most important American novels and how the novel, as a form, has developed and adapted to describe new and different realities. Some of the historical and social issues covered in the class include:

• the suburbs and the city
• the legacy of slavery
• queer life in the US
• stories of migration and travel

This module is designed to equip students who wish to pursue studies in American literature or culture in more depth with an overview of the period. It's also designed to expand the knowledge of students with a general interest in the novel.

This class will study the literature of the Victorian period (1837-1901) and will focus on fiction, poetry, drama and non-fictional prose. It aims to situate this writing both in its contemporary political, social and cultural contexts and in the light of recent critical and theoretical debates. Themes to be covered may include:

• the 'crisis of faith'
• science and evolutionary theory
• realism and the Victorian novel
• medievalism and Victorianism
• literature and the visual arts
• key poetic genres, including elegy and dramatic monologue
• popular fiction
• the 'Woman Question'
• Empire and travel writing
• the new journalism and Victorian reading publics
• representations of the city and technology
• issues of canon and periodisation

This class explores twentieth-century English literature with a focus on fiction, poetry, and drama. The survey examines major literary figures from the first half of the century, such as Woolf and Stein, along with their contemporaries and successors. Particular attention will be paid to the literary culture of Modernism before exploring the texts, culture and politics of the later 20th century through writers such as Spark, McGrath and Smith. Emphasis will be placed on understanding a diverse range of literature in historical, critical and theoretical contexts as a means of engaging with the rich literary heritage of the twentieth century, and what the twenty-first century might bring.

This module will focus on drama, a key genre in the period from the 1580s to the closure of the playhouses in 1642. Reading work by major dramatists, we'll engage with a form that addressed a highly literate audience as well as a popular one, and is thus a particularly interesting place to trace ways of thinking in the period. The common thread that ties this selection of plays together is their interest in transgression: what happens when humans cross the limits set by tradition, religion and the state?

In the process of this theatrical interrogation, the plays pose questions about violence, identity, gender, desire, citizenship and the role of the theatre itself. We'll read tragedies and comedies; alongside these, you'll also be asked to think about the moral and theological debates that were taking place at the time these works were produced and consumed. Thus, for example, we'll read plays by Shakespeare, Christopher Marlowe, Ben Jonson and Thomas Middleton alongside writing by Robert Burton, Sir Francis Bacon and Niccolo Machiavelli. This will enable us to explore how ideas about sex, revenge and corruption in the period are developed and contested between the stage and the work of some of the most influential thinkers at the time; it will also allow us to consider how some of these early modern limit cases still ask questions of us today.

Lectures will provide context for tutorials, which will be organised around worksheets that will be circulated in advance, and so will give you the chance to prepare for each class, and will allow everyone the chance to contribute to discussions.

This class explores the ways in which language is used in businesses and other organisations. The class assumes no prior knowledge of linguistics, and teaches technical skills in discourse analysis, conversation analysis, and the analysis of other types of verbal interaction, in speech, writing and electronic communications. The analytical skills learned in this class, and the theoretical ideas, will be useful also in the analysis of literature or any other aspect of language in use. Seminars give you practice in the analytical skills. The class assumes that you have no prior knowledge or experience in discourse analysis, conversation analysis, pragmatics, etc.

What does it mean to ‘write the body’? How has the world of sensory experience been rendered in theory, literature, and film? What metaphors do we summon to understand physical experiences of joy, sickness, health, desire, exhaustion, and intoxication?

This class will approach these questions (and more) by studying literary, visual, and theoretical engagements with the body in late 20th and 21st -century culture. Over the course of the semester, you'll encounter some key debates about the body and its representation in literature and film. You'll engage with the fields of gender theory, queer theory, critical race theory, and disability theory. You'll also learn some strategies for analysing contemporary culture through the ‘lens’ of theory, developing skills you can take into other areas of your study.

This placement module offers you the opportunity to gain practical, work-based experience (minimum 60 hours) in an area that is professionally related to or relevant to your BA. For your degree this might be working with a publisher, or literary agency, or in an office environment where you are using your skills in reading, interpretation and writing. Or you might use this as an opportunity to look towards a future career: so, if you plan to go into teaching, for example, you could look to get a placement working in a subject-related environment with young people.

Writing Short Fiction and Poetry is a module studying contemporary short stories and lyric poetry. Generally speaking, the aim of this class is to get you writing as soon as possible – each week is aimed at teaching some of the basics of Creative Writing alongside a case study of a writer and their particular approach to elements of the craft.

We'll be reading screenplays, talking about them, and writing our own. What is the difference between writing for the page and writing for the screen? Screenplays are, in practice, a series of instructions: for actors, for crew members, for potential financiers. A screenplay is a dual-purpose document. It exists as proof of concept (i.e., proof of narrative); and it is there to communicate the spirit and tone of the finished film. More than anything, our first job as writers for the screen is to make the reader hear and see. Primarily it is to make the reader see. There are many ways in to a life in writing for the screen. But, as with any good work of fiction, it begins with engaging characters. Do they appear to us fully formed? Or does it take development? How can we get them onto the page? What are the decisions we make at the start of a project? What is visible and the invisible writing? This class encourages you to consider the shape of your story in order to point yourself—and your narrative—in the right direction.

Who are you, and what do you think about education, and why? Despite everybody being somehow involved in education, those important questions are rarely asked and reflected upon. The best way to engage with such problems is the encounter with the Other in either historical or intercultural perspective. Using a set of questions around fundamental pedagogical notions and concepts (such as ‘educator’, ‘student’, ‘pedagogical relationship’, ‘curriculum’, ‘pedagogical ethics’, ‘Education Studies’, etc.) the module will explore different answers to those questions that either have been given in our own culture in the past, or in other cultures in the past or today (for example, in East/ South East/ South Asia, in the Arabic world, in African societies, in South America, and amongst indigenous tribes and peoples around the globe).

Fundamental problems explored could include:

• what is education perceived to be?
• what is the educator understood to be, what is the student, and how is their pedagogical relationship established, organised, and justified?
• what is/are the purpose/s of education, and how does it/do they get justified?
• what is the relation between individual and social needs and desires within education?
• what ways of educating are preferred, and why?
• how is the reflection on education (i.e. Education Studies) codified and institutionalised; who is reflecting and what counts as an acceptable form of reflection, and why?

Everyone who is interested in looking beyond their own educational horizon to learn about others and oneself is very welcome on this educational journey.

The purpose of this module is twofold. First, it aims to offer an overview of key considerations (e.g. literacy, multilingualism, new technologies) in the development of educational activities for adult learners through a series of pre-placement seminars. Second, you'll have the opportunity to apply the new knowledge and skills learned during a one-week placement with an organisation that works with adult learners.

This module will focus on children and childhood in contexts other than formal education settings that will be explored elsewhere. The aim of this module is to introduce students to the concepts of child and childhood through a range representations. The class will draw on children in film, art and literature to explore representations of children and childhood and experiences of childhood.

This team-taught module will introduce you to the theory and practice of educational research. This includes lectures on the principles of research design and seminars in which you'll collaborate in small group projects, familiarising yourself with qualitative and quantitative methods and their uses for interdisciplinary education studies research. The module will be assessed through a short essay and a research proposal, in preparation for dissertation planning.

This class examines how contemporary authors make sense of gendered experience. We'll investigate cultural practices of writing (and rewriting) gender in the twenty-first century, paying particular attention to the relationships between gender and literary genre, from transgender memoirs to autofictional masculinities, twenty-first-century romance novels, and the queer graphic novel. We'll also investigate the impact of feminist political activism on the publishing industry, from the indie press to the Women’s Prize for Fiction. The class will introduce you to key theories of gender and equip you with strategies for reading literature through the lens of feminist theory. Over the course of the semester, you'll encounter some of our most exciting contemporary writers and deepen your understanding of literary gender politics in the present day.

This class introduces you to twenty-first-century science fiction from across the globe. Contemporary science fiction creates alternative technological bodies and worlds, allowing us to address questions around what it means to be human, what our relationship is to technology and how we might build worlds that are less destructive. With these major themes in mind, this class will focus on four key critical lenses:

• race
• colonialism
• disability
• sexuality and gender

Questions to be explored include:

• how are worlds reconfigured through queer sexualities and genders
• what futures are brought into being for previously marginalised peoples
• what is science fiction’s relation to the past
• how does contemporary science fiction challenge tropes of colonialism
• what bodies emerge in these future worlds and why?

Each week you'll read, watch or listen to a contemporary, global science fiction text exploring how histories, worlds, bodies and relations are represented and reimagined.

Neo-Victorian cultural products have been recognised as a crucial site for the critical rediscovery and reinterpretation of Victorian literature and culture (in particular the themes of class, race, gender and sexuality). Evoking the genres of crime and mystery fiction, themes of science, technology and alternative futures, the figure of the Victorian author and the voices of marginal characters from Mrs Rochester to the ghosts of the séance circle, neo-Victorian writing seeks to understand the continuing impact of the nineteenth century on the present day. This class will consider how and why these texts have problematised Victorian discourses (e.g. imperialism, madness, sexual deviance, technology, the cultural roles of reading and writing). We'll draw on a range of interpretative strategies from post-colonial, feminist, queer, adaptation, appropriation, heritage and film studies.

This class looks at the relation between language and music in songs, treating songs as literature adapted to music. We'll look at the ways in which the forms and meanings of songs can be studied, in ways similar to the study of poetry, but also in ways specific to song. The class considers technical aspects, including technical aspects of music, but you're not expected to have prior knowledge of music. We look at ways in which songs relate to identity and how they produce emotion. We consider the ways in which songs tell stories, or relate to stories.

This class traces the development of the Gothic across the nineteenth century, from its origins in the Romantic period to its heights in works like Bram Stoker’s Dracula. The class is organized around key concepts of the Gothic genre, including the sublime, the unseen, textual hybridity, un narrative unreliability.

We'll also look at subgenres like the Female Gothic and Eco-Gothic, examining how the Gothic allows authors to explore cultural anxieties including women’s rights, deviant sexualities, urbanisation, migration, and environmental devastation. Iconic monsters like Frankenstein’s monster, Mr Hyde, and Dracula will thus be situated within their specific cultural milieu, helping us to understand both their origins and their continued popularity.

The concept of 'the wild' is one that emerges in many different ways in the writings of the Renaissance; in relation to self-cultivation (holding back the wildness within), the control of one's world (taming the ever-present wilderness); and in relations with fellow humans in a changing world (in savage domination). These ideas get played out in numerous ways in the period - from poetic use of the symbolic resonance of gardens and gardening; the religious underpinnings of the 'missionary endeavour' in the New World and what that says about the concept of human nature; to the anxious self-examination of humanity's inevitable sinfulness.

This class will thus introduce you to key canonical texts from the period – plays, poetry, and court masques – by writers including Shakespeare, Jonson, and Milton, and will also engage with a critical and theoretical debates about the relationships between humans and the natural world from the new fields of animal studies and ecocriticism.

Educational Representations in Film and Literature provides you with opportunities to reflect on educational questions through popular literary and visual media. The opportunity to interpret and reflect upon education in the context of popular culture allows you to examine theories in practice, albeit fictional contexts of practice. As well as the representations of education, the literature regularly embodies the pedagogical intentions of the author, intentions which will be explored in the module. These and other considerations form the structure and content of this module.

The Dissertation in Education is designed to further your development of a questioning, self-evaluative and reflective approach in a major in-depth piece of work demanding independent, self-motivated study and the sustained application of professional research and enquiry skills. The widest possible range of topics, types of project, modes of enquiry and of research techniques is encouraged. What projects have in common is the individual student’s ownership and control of the project and the expectation of high quality work.

Education is not uncontested. Its place within society, and the fact that nearly all have experience of education and related institutions means that a plethora of ideas and ideologies of education abound. This module discusses some of the ways in which educational moments are constructed through politics, society, culture and religion. It encourages you to delve deeply into the various forms theories and ideologies take: their formation and maintenance; and then deconstructs these. It locates education as a societal right rather than a personal endeavour so that internationally, nationally and locally agreed and contested matters take centre stage.

The purpose of this module is to allow you to engage in independent study on a topic in education of your choosing, and to develop skills in a self-analytical and critical approach to learning. The topic can be negotiated and developed within the context of the Joint Honours Education programme, and in relation to your own individual academic and professional interests. The module is intended to allow you to develop the knowledge and skills required to identify and conceptualise an area of study in education and develop a critical, informed and conceptual understanding of the topic chosen. The distinctive feature of the module is that it aims to provide you with the challenge of becoming independent, self-managing learners and of experiencing and understanding both the satisfaction and the challenges of working autonomously.

The ability to be creative is highly valued across society, and has at times been described as one of the key ‘21st Century skills’ in education. Well beyond their school days, learners are going to find situations where they need to use their imagination, and come up with ideas. Businesses need to find creative ways to thrive and serve their customers, teachers need to be creative when designing lesson plans, and citizens need to find creative solutions to their problems. This module will explore the psychology behind creativity, and tackle misconceptions such as the idea that it is the province of only certain fields, or that some people are creative and others are not. It will also provide a toolkit to help participants to develop their own creative strategies.

This module introduces students to how individuals learn a second/foreign language across the lifespan. Students will explore the process of acquisition, models of learning, and policies and political contexts that motivate language learning. This module covers language learning in both a Scottish and global context, with specific attention to the global spread of English.

Influences are everywhere. Parents try to influence children, and children try to influence parents. Friends sometimes try to influence each other. Teachers try to influence students, advertisers hope to influence consumers, politicians wish to represent, but also to influence, the public. In this 10-credit module, we will explore certain problems around educational influence. The module is structured around three main questions: what educational influence means, to what extent it is justified, and how it is achieved. The module will explore examples of educational influence drawn from one or more of the following contexts: morality; politics; religion; sexual orientation; psychology; environmentalism; art and aesthetics; technology and social media.