BA Hons English and Creative Writing & Journalism, Media and Communication

This first semester module offers an introduction to the study of English at university level. It offers a foundation for students who are interested in the historical and critical analysis of literary texts and for those who want to write creatively for themselves. It's the first module in the English degree and the English and Creative Writing degree.

In taking this module you'll have an opportunity to understand how particular historical and social contexts shape literature and to discuss ways in which historical literature continues to live and have relevance to the contemporary reader.  You'll also study in detail the ways in which literary texts are constructed. In understanding the mechanisms that make literary texts work – the choices made by an author about genre, form, and language – you'll become a subtler, more-attentive reader and a better-informed and better-equipped writer.  

Reading lists:

• English 1A Reading List 2023-24
• English 1B Reading List 2023-24

A practical introductory class on journalism reporting and writing. Students will learn the basic rules of reporting, interviewing, writing news and features, and editing them. The specifics of each format of writing will be emphasised. Assessments include writing real-life stories on topics chosen by students.

An introductory conceptual class on these topics, it will provide a wide overview of the media, journalism and the communication fields. Key contemporary issues in journalism, media and communication will be introduced and discussed. 

These will situate texts in context, from genre to historical period and theory. The texts include poetry, drama, novels,  short stories, life writing, and screenplays and you'll have the chance to choose between critical and creative writing responses for one assessment on each class.

This class explores how Scottish fiction and drama of the 20th and 21st centuries creates the idea of Scotland.

This class looks at a range of literary texts and how they interpret and create the idea of ‘human’ at different points in history.

A practical intermediate class focusing on journalism skills related to news writing. Students explore news reporting and writing in more depth, including how to work with numbers, how to interview and write about vulnerable people and how to conduct research online. Assessments are real-life news stories written on topics assigned by the instructor or chosen by the student.

This class mixes conceptual and practical elements with a focus on digital media. It explores the history of digital media and asks students to think conceptually about it, but also to gain relevant practical skills related to digital journalism & effective communication in the digital age.

A theoretical class, which takes an in-depth look at major theories of the field and related methods. The class will prepare students for research by exploring the main methods of studying the media. It will connect these methods to the major theories in journalism, media and communication, which aims to bring a deeper conceptual understanding of the field.  

Writing Short Fiction and Poetry is a module studying contemporary short stories and lyric poetry. Generally speaking, the aim of this class is to get you writing as soon as possible – each week is aimed at teaching some of the basics of Creative Writing alongside a case study of a writer and their particular approach to elements of the craft.

We'll be reading screenplays, talking about them, and writing our own. What is the difference between writing for the page and writing for the screen? Screenplays are, in practice, a series of instructions: for actors, for crew members, for potential financiers. A screenplay is a dual-purpose document. It exists as proof of concept (i.e., proof of narrative); and it is there to communicate the spirit and tone of the finished film. More than anything, our first job as writers for the screen is to make the reader hear and see. Primarily it is to make the reader see. There are many ways in to a life in writing for the screen. But, as with any good work of fiction, it begins with engaging characters. Do they appear to us fully formed? Or does it take development? How can we get them onto the page? What are the decisions we make at the start of a project? What is visible and the invisible writing? This class encourages you to consider the shape of your story in order to point yourself—and your narrative—in the right direction.

This class aims to introduce you to some of the major forms and themes in the 20th century American novel with some more contemporary content. The module investigates how major social and historical issues have shaped some of the most important American novels and how the novel, as a form, has developed and adapted to describe new and different realities. Some of the historical and social issues covered in the class include:

• the suburbs and the city
• the legacy of slavery
• queer life in the US
• stories of migration and travel

This module is designed to equip students who wish to pursue studies in American literature or culture in more depth with an overview of the period. It's also designed to expand the knowledge of students with a general interest in the novel.

This class will study the literature of the Victorian period (1837-1901) and will focus on fiction, poetry, drama and non-fictional prose. It aims to situate this writing both in its contemporary political, social and cultural contexts and in the light of recent critical and theoretical debates. Themes to be covered may include:

• the 'crisis of faith'
• science and evolutionary theory
• realism and the Victorian novel
• medievalism and Victorianism
• literature and the visual arts
• key poetic genres, including elegy and dramatic monologue
• popular fiction
• the 'Woman Question'
• Empire and travel writing
• the new journalism and Victorian reading publics
• representations of the city and technology
• issues of canon and periodisation

This class explores twentieth-century English literature with a focus on fiction, poetry, and drama. The survey examines major literary figures from the first half of the century, such as Woolf and Stein, along with their contemporaries and successors. Particular attention will be paid to the literary culture of Modernism before exploring the texts, culture and politics of the later 20th century through writers such as Spark, McGrath and Smith. Emphasis will be placed on understanding a diverse range of literature in historical, critical and theoretical contexts as a means of engaging with the rich literary heritage of the twentieth century, and what the twenty-first century might bring.

This module will focus on drama, a key genre in the period from the 1580s to the closure of the playhouses in 1642. Reading work by major dramatists, we'll engage with a form that addressed a highly literate audience as well as a popular one, and is thus a particularly interesting place to trace ways of thinking in the period. The common thread that ties this selection of plays together is their interest in transgression: what happens when humans cross the limits set by tradition, religion and the state?

In the process of this theatrical interrogation, the plays pose questions about violence, identity, gender, desire, citizenship and the role of the theatre itself. We'll read tragedies and comedies; alongside these, you'll also be asked to think about the moral and theological debates that were taking place at the time these works were produced and consumed. Thus, for example, we'll read plays by Shakespeare, Christopher Marlowe, Ben Jonson and Thomas Middleton alongside writing by Robert Burton, Sir Francis Bacon and Niccolo Machiavelli. This will enable us to explore how ideas about sex, revenge and corruption in the period are developed and contested between the stage and the work of some of the most influential thinkers at the time; it will also allow us to consider how some of these early modern limit cases still ask questions of us today.

Lectures will provide context for tutorials, which will be organised around worksheets that will be circulated in advance, and so will give you the chance to prepare for each class, and will allow everyone the chance to contribute to discussions.

This class explores the ways in which language is used in businesses and other organisations. The class assumes no prior knowledge of linguistics, and teaches technical skills in discourse analysis, conversation analysis, and the analysis of other types of verbal interaction, in speech, writing and electronic communications. The analytical skills learned in this class, and the theoretical ideas, will be useful also in the analysis of literature or any other aspect of language in use. Seminars give you practice in the analytical skills. The class assumes that you have no prior knowledge or experience in discourse analysis, conversation analysis, pragmatics, etc.

What does it mean to ‘write the body’? How has the world of sensory experience been rendered in theory, literature, and film? What metaphors do we summon to understand physical experiences of joy, sickness, health, desire, exhaustion, and intoxication?

This class will approach these questions (and more) by studying literary, visual, and theoretical engagements with the body in late 20th and 21st -century culture. Over the course of the semester, you'll encounter some key debates about the body and its representation in literature and film. You'll engage with the fields of gender theory, queer theory, critical race theory, and disability theory. You'll also learn some strategies for analysing contemporary culture through the ‘lens’ of theory, developing skills you can take into other areas of your study.

Textlab is one of several Vertically Integrated Projects (ViPs) running across the University. Each ViP brings together a team of undergraduates, postgraduates, and staff to work on a research-based project.

TextLab brings together students and staff from English/Humanities and Computer and Information Science. We work on research projects in the field of Digital Humanities (the application of computer-based technologies to the study of texts) – specifically using computers to analyse Shakespeare’s language, and building a website aimed at schools.

This placement module offers you the opportunity to gain practical, work-based experience (minimum 60 hours) in an area that is professionally related to or relevant to your BA. For your degree this might be working with a publisher, or literary agency, or in an office environment where you are using your skills in reading, interpretation and writing. Or you might use this as an opportunity to look towards a future career: so, if you plan to go into teaching, for example, you could look to get a placement working in a subject-related environment with young people.

This class will trace the development of fictional representations of Glasgow from the beginnings of industrialism to the present age. In doing so, it will consider a wide variety of historical and literary approaches to depicting the city. Beginning with a brief history of the pre-C20th Glasgow novel, the course goes on to consider some of the most famous literary depictions of Glasgow, including McArthur and Long’s No Mean City, Archie Hind’s The Dear Green Place and Alasdair Gray’s Lanark.

A practical intermediate class focusing on journalism skills related to feature writing. Students learn about different types of features (e.g. profile, review, news backgrounder, column, travel or sport), in-depth reporting and writing.

Assessments are real-life features on topics chosen by students.  

A theoretical class exploring in depth concepts around popular culture, as related to journalism. The class analyses the construction of the popular, along with those historical, economic and cultural forces involved in deploying the popular to establish hierarchies of judgment and legitimacy.

A conceptual class covering Scots law for journalists. The class explores specific cases of media law in Scotland and how students need to conduct their reporting and writing in a way that respects those boundaries.

A theoretical class on concepts and theories from political communication. The class will explore recent developments in politics, political communication and the media, and will discuss their implications for democracy.

This class gives you a unique opportunity to gain practical, work-based experience and apply your knowledge and understanding of journalism, media, and communication to a real-world context.

Past students have worked in a range of organisations including broadcast and media organisations, charities, NGO's, and publishers.

You'll have support from the careers service to locate a placement that aligns with your professional interests and will receive ongoing support from academic staff throughout your placement.

This individual project involves original academic research under one-on-one supervision with a member of staff. In addition, you will choose from a range of research and practice led options.

This class examines how contemporary authors make sense of gendered experience. We'll investigate cultural practices of writing (and rewriting) gender in the twenty-first century, paying particular attention to the relationships between gender and literary genre, from transgender memoirs to autofictional masculinities, twenty-first-century romance novels, and the queer graphic novel. We'll also investigate the impact of feminist political activism on the publishing industry, from the indie press to the Women’s Prize for Fiction. The class will introduce you to key theories of gender and equip you with strategies for reading literature through the lens of feminist theory. Over the course of the semester, you'll encounter some of our most exciting contemporary writers and deepen your understanding of literary gender politics in the present day.

This class introduces you to twenty-first-century science fiction from across the globe. Contemporary science fiction creates alternative technological bodies and worlds, allowing us to address questions around what it means to be human, what our relationship is to technology and how we might build worlds that are less destructive. With these major themes in mind, this class will focus on four key critical lenses:

• race
• colonialism
• disability
• sexuality and gender

Questions to be explored include:

• how are worlds reconfigured through queer sexualities and genders
• what futures are brought into being for previously marginalised peoples
• what is science fiction’s relation to the past
• how does contemporary science fiction challenge tropes of colonialism
• what bodies emerge in these future worlds and why?

Each week you'll read, watch or listen to a contemporary, global science fiction text exploring how histories, worlds, bodies and relations are represented and reimagined.

The publishing world is changing rapidly with the advent of digital publishing and the ebook. This class will enable students to explore new possibilities and write for new markets and platforms. It will also look at skills that students need for a career in both traditional and digital publication such as editing, submitting work and performing/reading work in front of an audience.

This class aims to hone the skills students have acquired in previous years to produce new work for print, performance and for a range of digital platforms. It will also provide an up-to-date examination of the publishing world and will include reflective element.

Neo-Victorian cultural products have been recognised as a crucial site for the critical rediscovery and reinterpretation of Victorian literature and culture (in particular the themes of class, race, gender and sexuality). Evoking the genres of crime and mystery fiction, themes of science, technology and alternative futures, the figure of the Victorian author and the voices of marginal characters from Mrs Rochester to the ghosts of the séance circle, neo-Victorian writing seeks to understand the continuing impact of the nineteenth century on the present day. This class will consider how and why these texts have problematised Victorian discourses (e.g. imperialism, madness, sexual deviance, technology, the cultural roles of reading and writing). We'll draw on a range of interpretative strategies from post-colonial, feminist, queer, adaptation, appropriation, heritage and film studies.

This class is an elective option in fourth year English that encourages students to look at the layering process involved in adapting a piece of underlying material either for literature or for the screen. We will examine a comprehensive range of source texts that inform many literary works and much of the screen drama available in the late 20th century and, in particular, in the current marketplace.

The class will complement the third year core class in Creative Writing, and will also be useful to those undertaking honours dissertations in Creative Writing. As well as exercises in close reading, and theoretical analysis, the class will emphasise the commercial realities of basing work on underlying material.

This class looks at the relation between language and music in songs, treating songs as literature adapted to music. We'll look at the ways in which the forms and meanings of songs can be studied, in ways similar to the study of poetry, but also in ways specific to song. The class considers technical aspects, including technical aspects of music, but you're not expected to have prior knowledge of music. We look at ways in which songs relate to identity and how they produce emotion. We consider the ways in which songs tell stories, or relate to stories.

This class traces the development of the Gothic across the nineteenth century, from its origins in the Romantic period to its heights in works like Bram Stoker’s Dracula. The class is organized around key concepts of the Gothic genre, including the sublime, the unseen, textual hybridity, un narrative unreliability.

We'll also look at subgenres like the Female Gothic and Eco-Gothic, examining how the Gothic allows authors to explore cultural anxieties including women’s rights, deviant sexualities, urbanisation, migration, and environmental devastation. Iconic monsters like Frankenstein’s monster, Mr Hyde, and Dracula will thus be situated within their specific cultural milieu, helping us to understand both their origins and their continued popularity.

The concept of 'the wild' is one that emerges in many different ways in the writings of the Renaissance; in relation to self-cultivation (holding back the wildness within), the control of one's world (taming the ever-present wilderness); and in relations with fellow humans in a changing world (in savage domination). These ideas get played out in numerous ways in the period - from poetic use of the symbolic resonance of gardens and gardening; the religious underpinnings of the 'missionary endeavour' in the New World and what that says about the concept of human nature; to the anxious self-examination of humanity's inevitable sinfulness.

This class will thus introduce you to key canonical texts from the period – plays, poetry, and court masques – by writers including Shakespeare, Jonson, and Milton, and will also engage with a critical and theoretical debates about the relationships between humans and the natural world from the new fields of animal studies and ecocriticism.

This class engages with some of the key tensions in contemporary travel writing from race and sexuality, to issues of cultural stereotyping and ‘foreignness’. By working through a series of international case studies ranging from India to North America, the class will address why travel continues to be an important metaphor for thinking about our experience of the world, as well as offering a framework for how we understand it.

The class will explore how feminist concerns are represented in contemporary literature, and how literary forms shape contemporary feminism. Students will encounter some of the most important literary works of the post-1990 period, and learn to make connections between literary analysis and feminist theory. Engaging with a diverse range of literary forms—from novels, poems and plays to comics and manifestos—students will leave the course with an advanced understanding of the role literature plays in contemporary feminist politics.

Students can choose to do an individual project on a topic related to journalism, media or communication, which involves original academic or journalistic research under one-on-one supervision with staff. An academic dissertation involves individual scholarly research on a chosen topic. The special project is an extension of feature writing skills and will take those to a new level by requiring students to produce a much longer and more sophisticated portfolio of work.

The class mixes conceptual and practical elements for an in-depth look at the media’s role in society’s health and wellbeing. The class covers topics such as media coverage of disease and disability, chronic versus acute conditions, how the media shape the image of doctors, people with various conditions.

A theoretical class, underpinned by feminist media studies, which explores gender issues in relation to media production, representation and consumption practices – both in relation to mainstream media and ‘alternative’ content and distribution strategies. This class explores how gender intersects with other structural inequalities such as race, class, sexuality, dis/ability and age.

This class explores the implications and futures of digital technology in communication. It incorporates the range of digital communication, from mediated conversation, through social media, to blogging and the production and distribution of video content. The importance of the digital environment for politics and the labour market is also explored.

A seminar class, which capitalises on staff’s relationships with media organisations, NGOs and government bodies in Scotland and brings professionals into the classroom for guest talks and discussions of professional nature. The class will help students with establishing professional connections in the media field and with getting an overview of the media landscape in Scotland.

A conceptual class that builds on journalism practice and explores it from a theoretical perspective. The class explores the accountability systems used by journalists, both external such as IPSO and internal such as methods of self-censorship. Students examine a series of ethical dilemmas emanating from the concepts of truth and trust, taste and offence, privacy and intrusion and respecting people.

A practical class on current software and online tools that enhance digital storytelling for journalists. It explores the changing nature of journalism in the face of rapidly advancing technological environment and asks a range of questions: how does the rise of information-driven society change journalistic practices? How do technological affordances help develop novel forms of storytelling? Which tools can develop and maintain professional presence on online platforms?  

A theoretical class exploring in depth concepts around popular culture, as related to journalism. The class analyses the construction of the popular, along with those historical, economic and cultural forces involve in deploying the popular to establish hierarchies of judgement and legitimacy.

This class gives you a unique opportunity to gain practical, work-based experience and apply your knowledge and understanding of journalism, media, and communication to a real-world context.

Past students have worked in a range of organisations including broadcast and media organisations, charities, NGO's, and publishers.

You'll have support from the careers service to locate a placement that aligns with your professional interests and will receive ongoing support from academic staff throughout your placement.