Dr Katharine Mitchell

Senior Lecturer

Journalism, Media and Communication

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Personal statement

Kate is an interdisciplinary feminist cultural studies researcher of modern Italy, working across and between literature, theatre, opera and film from the late nineteenth- and early twentieth-centuries. She studies actual and imagined women performers, (screen)writers, readers, spectators, through close reading and analysis of their texts, including archival materials, such as journals, newspaper cuttings, letters, and diaries, and draw on a range of studies and theoretical frameworks in literature, film, media, theatre, and opera to interpret her findings (e.g., new historicism, and feminist literary and media theory).

Kate was educated at state schools in the East Midlands, and worked in Italy during a gap year before studying for a BA (Hons) in Italian with French Literatures and Languages at the University of Leeds. She then taught English in Finland, followed by several years working in Arts Administration for major opera companies in London, Sydney, and Melbourne, while studying for an MA by Research in nineteenth-century Italian opera and gender at Leeds. Kate was awarded her PhD in nineteenth-century Italian literature and culture from the University of Warwick, and before joining Strathclyde, she was a Junior Research Fellow at Lucy Cavendish College, University of Cambridge.

Her current project, Feminist Influences on the Italian Women Film Pioneers, argues for a reevaluation of the origins of early Italian feminist film culture through an intergenerational lens. Drawing on a feminist media archeological approach (archival material evidence in film and women's journals, as well as accounts of stars and evidence in life writings), she shows how the cohort of women writers and performers working across and between media from the 1880s onwards reveal networks of female solidarity, symbolic motherhood, and creative legitimation.

Monographs and Edited Volumes

Gender, Writing, Spectatorships: Evenings at the Theatre, Opera and Silent Screen in Late Nineteeth Century Italy and Beyond (London: Routledge, 2022);

Matilde Serao: International Profile, Reception, and Networks (Paris: Classiques Garnier, 2022), co-edited;

Italian Women Writers: Gender and Everyday Life in Fiction and Journalism, 1870-1910 (Toronto: University of Toronto Press, 2014);

Women and Gender in Post-Unification Italy (Oxford: Peter Lang, 2013), co-edited;

The Diva in Modern Italian Culture, Italian Studies 70:3 (2015), co-edited;

Rethinking Neera, The Italianist 30:1 (2010), co-edited.

In 2019 Kate co-founded the Interdisciplinary Network for Nineteenth-Century Italian Studies - Ottocentismi with three colleagues in the United States (at Seton Hall University, New Jersey; Florida State University, and City University, New York) and sits on its Executive Board.

In 2018 she was Principal Investigator of a Royal Society of Edinburgh-funded collaborative project with the Society of Antiquaries of Scotland on Scottish and European transnational exchanges in the long nineteenth century. Her workshops established the Scottish Network for Nineteenth-Century European Cultures under the Scottish Archaeological Research Framework which is housed at National Museums of Scotland. 

Kate has held six Visiting Fellowships: University of Loughborough (2026); University of Oxford (Harris Manchester College, Michaelmas Term, 2022 & Trinity Term, 2019; St. Catherine's College, Hilary Term, 2019); Seton Hall University, New Jersey, United States (2014); California State University, Long Beach, United States (2014); and the University of Bologna, Italy (2014).

Kate sits on the Editorial Board of Italian Studies and the Advisory Board of Gender/Sexuality/Italy. She was a member of the AHRC's Peer Review College from 2012 to 2020, and from 2020 to 2026 she served two terms on the Society for Italian Studies Executive Committee as Membership Secretary. Between 2016 and 2021 she regularly discussed equality and inclusion issues on BBC Radio Scotland's Kaye Adams Programme.

At Strathclyde, Kate is the Deputy Director of Postgraduate Research for the Department of Humanities (until 2027) and a member of the University's Feminist Network.

Kate is a Fellow of the Royal Historical Society. 

Postgraduate Research Students

Emma Ottanelli (PhD Candidate, SGSAH(AHRC)-funded), 'Weaving a Web of Peace Across Borders: Transnational Connections in Feminist Anti-Nuclear Resistance at "La Ragnatela" and Greenham Common Women's Peace Camps', (2024 - );

Michelle Esrig-Munguia (MRes Candidate): 'Recasting Fantasy with Feminism: Twenty-First Century Romantic Fantasy Fiction', (2025 - ).

Postgraduate Research Completions

Francesca Masciullo, 'Denied and Disowned Motherhood in the Works of Dacia Mariani and Annie Ernaux' (Awarded in 2021)

Kate welcomes PhD/MRes/MPhil enquiries for supervision on any aspect of gender, media, and feminism since the 1880s, particularly in relation to the following areas: 

  • Spectatorships/audiences/readers;
  • Celebrity culture;
  • Feminist media history;
  • Screenwriters and the female gaze.

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Teaching

Kate teaches and supervises across undergraduate and postgraduate taught modules in Journalism, Media and Communication, Italian, and Gender Studies.

She has over twenty years' experience of teaching Italian literature, culture, and language in UK Universities (including Leeds; Warwick; Manchester; Cambridge), and since 2020 she has taught across modules in Gender Studies and Journalism, Media and Communication.

In 2021 Kate was nominated by her students for a fourth Strathclyde Students’ Union Teaching Excellence Award and for a Humanities and Social Sciences Faculty Teaching Excellence Award in the category Effective Sustained Contribution.

Kate is External Examiner on the Italian programme at Royal Holloway, University of London (2022-26 ), and has externally examined four theses: three MPhils at the University of Glasgow (2019), the University of Birmingham (2022), and the University of Kent (2023)), and one doctoral thesis (University of Warwick, 2025). At Strathclyde, Kate has examined three doctoral theses and one MPhil thesis.

Kate has supervised to completion an MRes on 'Denied and Disowned Motherhood in the Works of Annie Ernaux and Dacia Maraini' (2021), and is currently supervising two posgraduate research projects.

Kate has guest-taught seminars and lectures nationally and internationally at the University of Oxford (2022), the University of Naples, 'Federico II' (2021), Columbia University, New York (2016), California State University, Long Beach (2014), and Seton Hall University, New Jersey (2014).

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Research Interests

Kate's interdisciplinary research on Italian women as protagonists, performers and spectators (of "women's" opera, theatre and silent film in the context of melodrama), draws on gender studies, cultural studies, women's studies, literary studies, opera studies, theatre studies,  and feminist film and media studies in late C19th and early C20th Italy and beyond. She also has interests in contemporary celebrity and fan cultures and gender representation in media.

Kate's current project, Feminist Influences on the Italian Women Film Pioneers, argues for a reevaluation of the origins of early Italian feminist film culture through an intergenerational lens. Drawing on a feminist media archeological approach (archival material evidence in film and women's journals, as well as accounts of stars and evidence in life writings), she shows how the cohort of women writers and performers working across and between media from the 1880s onwards reveal networks of female solidarity, symbolic motherhood, and creative legitimation.

Kate's most recent monograph, Gender, Writing, Spectatorships: Evenings at the Theatre, Opera and Silent Screen in Late Nineteenth-Century Italy and Beyond (New York and London: Routledge, 2022) examines Italian women as protagonists and consumers of literature, theatre, opera, and film. Using personal writing, journalism, and canonical texts, it analyses female performance and women’s responses. Its interdisciplinary analysis of female relationships involving admiration illuminates a vibrant Italian female culture industry during early feminism.

Kate's first book, Italian Women Writers: Gender and Everyday Life in Fiction and Journalism, 1870-1910 (University of Toronto Press, 2014), adopted a new historicist approach to analyse the domestic fiction and journalism of three of the most significant women writers of the period (La Marchesa Colombi; Neera; Matilde Serao). She showed how in spite of their anti-feminist public declarations, the writers' fiction and journalism intended for women readers offered an implicit feminist intervention and a legitimate means of approaching and engaging with the burning social and political issues of the day regarding the 'woman question'. It won a Finalist place in the Edinburgh Gadda Prize 2019 (Vittorio Group). 

Professional Activities

Italian Studies (Journal)
Peer reviewer
6/2025
Modern Italy : Journal of the Association for the Study of Modern Italy (Journal)
Peer reviewer
6/2025
MHRA Working Papers in the Humanities (Journal)
Peer reviewer
5/2025
External Examiner at the University of Warwick for a thesis titled 'Women and the Nation in Early Italian Cinema: 1905-1914'
External Examiner
1/2025
Forum Annuale delle Studiose di Cinema e Audiovisivi (Annual Forum for Women Researchers of Cinema and Audiovisual Media), University of Sassari, Italy
Invited speaker
10/2024
Society for Italian Studies Biennial Conference, University of London, Royal Holloway
Invited speaker
19/6/2024

More professional activities

Projects

RSE-funded Workshop Grant 2018 - £8,000
Mitchell, Kate (Principal Investigator)
A collaboration between university-based scholars working in fields related to nineteenth-century European cultures and the Society of Antiquaries of Scotland, during 2018 I led a series of free academic workshops and one major public event that examined the inter-connections and exchanges between Scotland and Europe’s literary, performance, and scientific cultures in the past to ask how our understanding of these can better prepare the people of Scotland for a post-Brexit world.
29-Jan-2018 - 15-Jan-2018
Establishing SNNEC: Scottish and European Exchanges Then (1780-1914), and Now
Mitchell, Kate (Principal Investigator)
29-Jan-2018 - 28-Jan-2019
Scotland and Europe: Politics, Culture and National Borders - A Public Event at the National Museum of Scotland
Mitchell, Kate (Principal Investigator)
Together with the Director of the Society for Antiquaries of Scotland, I hosted an afternoon of talks and discussion on Scotland's relationships with Europe past and present. Distinguished guests included Professor Sir Tom Devine OBE FRSE HonMRIA FBA FSA Scot., who presented a lecture titled:
'How Highlandism Conquered Europe: From Sir Walter Scott to Brexit'. There followed a Roundtable with speakers including Anthony Salamone, Research Fellow and Strategic Advisor of the Scottish Centre on European Relations think tank, as well as representatives of the Centre for Nineteenth-Century Studies at Durham University, the Society of Dix-Neuviemistes and the RSE-funded project Establishing SNNEC. Some 70 members of the public were in attendance.
29-Jan-2018 - 12-Jan-2019
Women at the Theatre: Writers as Spectators in Post-Unification Italy (1861-1914)
Mitchell, Kate (Principal Investigator)
01-Jan-2014 - 31-Jan-2014
‘Italian Divas at the fin de siècle: Roles, Receptions and Transnational Legacies’
Mitchell, Kate (Principal Investigator)
The student will undertake a doctoral thesis on 'Italian Divas at the fin de siècle: Roles, Receptions and Transnational Legacies', in partnership with Scottish Opera. Focussing on the highly-acclaimed soprano singer Adelina Patti (1843-1919), who was renowned for her performances of Verdi's heroines, the student will work in conjunction with the Director of Outreach & Education at Scottish Opera during Verdi's bicentenary year (2013) and beyond, to commission performances of Patti's and other nineteenth-century Italian divas' most famous roles, which will be performed by young Scots singers enrolled on Scottish Opera's Emerging Artists Programme

Amount applied for: £53,594
31-Jan-2013 - 31-Jan-2016
Women at the Theatre: Writers as Spectators in Early Post-Unification Italy, 1861-1914
Mitchell, Kate (Principal Investigator)
21-Jan-2013 - 31-Jan-2013

More projects

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Contact

Dr Katharine Mitchell
Senior Lecturer
Journalism, Media and Communication

Email: katharine.mitchell@strath.ac.uk
Tel: 444 8202