BA Hons English and Creative Writing & History

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Key facts

  • UCAS Code: Q3V1
  • Start date: Sep 2020
  • Study abroad: available

  • Applicant visit day: March each year

Study with us

  • opportunity to work with award-winning scholars and creative writers
  • learn about the context in which we live today through some of the most important and interesting periods in UK and world history
  • we have a reputation for getting to know students as individuals
  • we offer a wide range of options, many of them unique in the UK, reflecting our staff interests and expertise
Back to course

Why this course?

Our approach to the English & Creative writing course is innovative, modern and friendly, giving you a comprehensive understanding of English literature as a core basis for your creative work.

The emphasis is on helping you develop a range of skills to grow your future career, including textual analysis and interpretation. With us, you can study everything from poetry, the novel and drama (stage, screen, and radio) as you would expect on an English and Creative Writing degree, but in addition, at Strathclyde, we offer the opportunity to use creative writing skills as part of your approach to literary criticism.

Studying history – the story of humanity through the ages – develops your knowledge of the past and gives you a better understanding of the present.

Throughout your studies, you'll receive excellent training in areas such as problem-solving, communication, research methods and interpretation.

Our classes cover some of the most important and interesting historical periods at home and abroad, including Scotland’s ‘Highland Problem’ in the 16th century, Slavery in World History and Cold War Europe, 1945-1991.

Our BA degrees in Humanities & Social Sciences are broad-based to start with. In Year 1 you will study three subjects, including your chosen subject(s).

Two students studying together

What you’ll study

English & Creative Writing

Year 1

All students take one English & Creative Writing class in each semester of the first year. These classes introduce the advanced study of literature and include a focus on research methods and techniques for writing essays – with the option of using a creative as well as critical approach.

Texts studied currently include Shakespeare, Othello; Bronte, Jane Eyre; Rhys, Wide Sargasso Sea; Woolf, Flush; Kay, Trumpet; Defoe, Robinson Crusoe, and a range of poetry from the Renaissance to contemporary slam and rap.

Year 2

In the second year, students take two core classes over two semesters: Writing Through Time 1 and 2.

You then have a choice of one or two interdisciplinary electives:

  • The Construction of Scotland: Text and Context (semester one)
  • Making the Modern Human (semester two)

Writing Through Time 1 and 2, our core classes, give you the confidence to discuss the historical range of English literature, which will include poetry, drama, the novel, and a screenplay. The interdisciplinary elective classes will open out a variety of different ways of thinking about literary Studies in a broader context.

Year 3

In the third year, you choose (single honours) six option classes (a minimum of two, of which must be in creative writing), or (joint honours) three option classes (one of which must be a creative writing class). Current options offered by staff include:

  • From Greek Theatre to the National Theatre of Scotland
  • Sin in Renaissance Drama
  • The Glasgow Novel
  • Language in Business
  • International Influences
  • Writing War
  • Detective Fiction
  • Directing in the Theatre
  • Scottish Literature: 1770-1914
  • Children’s Literature
  • Reading Poetry
  • Writing Short Fiction and Poetry
  • Dramatic Writing
Year 4

In Honours year, Single Honours students take five options and the dissertation in either English or Creative Writing (three classes must be from each of English and Creative Writing). Joint Honours students either take two options and the dissertation in either English or Creative Writing or write their dissertation in their other subject and take three English and Creative Writing options (one class must be from English). Current examples of our Honours options include:

  • Dramatic Work in Performance
  • Sixties Britain: Literature, Culture, Counterculture
  • Literature, Mind, and Brain
  • Creative Economies and the Culture Industry
  • Songs: Music and Literature
  • The 1930s: Literature and Culture
  • Victorian Gothic
  • Wild in the Renaissance
  • New Narratives
  • Creative Writing Portfolio
  • Contemporary Travel Writing
  • Forms of Feminism in Contemporary Literature

History

Year 1

You’ll look at the origins and shaping of our modern world by introducing themes including industrialisation, empire, political reform, war and social change.

Year 2

You’ll choose from a range of national history classes, most of which cover a period of a century or more.

Year 3

If you intend to study at Honours level you must take the class in Historiography and Research Methods. You also choose further classes from a list that includes: Theory & Practice of Oral History, Slavery in World History and Scotland & the Americas in the 17th century and many more.

Year 4

In your final year, you’ll write an Honours dissertation on a topic of your choice and choose from a range of classes. Student numbers for optional classes may be limited in Years 3 and 4.

Dissertation

All single Honours History students and many joint Honours students complete a 10,000-word dissertation, in which they demonstrate their research skills on a topic of their own choosing. The dissertation draws on scholarly literature and as much primary source material (documents, for example) as students can acquire. Honours students often say that this is the most satisfying part of their History degree.

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English & Creative Writing

Outreach

We're committed to working with people from other disciplines and walks of life. Each year, we welcome distinguished creative writers and academics to speak about their work and encourage students to come and meet them. The Faculty has hosted numerous international conferences on topics ranging from texts and architecture to cyberculture. We currently host internationally recognised networks on Animal Studies and Stories in Scotland which involve other universities and organisations.

Work placement

A third-year option class on which a student can set up and fulfil a placement as part of their degree is currently in development.  This will allow you to take the skills you have gained from your study at Strathclyde out into the wider world.

Research-based teaching

You will be taught by researchers with international reputations. All of our staff not only teach but write books, articles, drama and poetry and appear in the media and on radio programmes. This keeps our students in touch with the latest ideas on the subject.

International connections

Every year, some of our students study abroad at universities overseas, including in Europe and the USA. We also welcome students from all over the world to study with us. We encourage international contact which enables staff and students to remain open to new ideas.

Facilities

Our location in the Lord Hope building provides a social hub and access to student services such as the library, cafés, meeting areas and exhibition spaces.

The Andersonian Library, directly opposite in the Curran Building, has around a million print volumes as well as access to one million electronic books and over 105,000 e-journals. The library covers all subjects taught at Strathclyde and offers over 550 networked computers with access to the internet, email, a wide range of software and databases and extensive Wi-Fi zones for laptops/tablets.

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Course content

English & Creative Writing

English 1A & 1B

These first-year classes offer an introduction to the study of English at university level.

In the course of these classes you will study a range of texts in the three main genres of creative literature - poetry, prose, and drama – and will learn to engage with the critical materials that analyse them, and have the option in assessment to respond creatively to some of these work as well.

Across this year you will also have an opportunity to understand how particular historical and social contexts shape literature, and to discuss ways in which historical literature continues to live and have relevance to the contemporary reader. Current texts studied in this class include Othello, Robinson Crusoe, Jane Eyre, and some contemporary song lyrics and Renaissance poetry.

History

History 1A

This class focuses on the history of the British Isles from 1700 to 1914. It was a period of phenomenal change in terms of who ruled the country, the main economic activities, emerging cultural expression and attitudes and the growth of British power overseas on an unprecedented scale.

In the class we'll use the British Isles as a historical 'laboratory' to discuss key themes that have shaped the modern world.

We'll look at:

  • the formation of the British state
  • the ideas that were shaped by the Enlightenment, in which Scottish writers played an important part
  • why Britain industrialised and Ireland did not
  • the often dire social consequences of industrialisation
  • how and why Britain created the Empire
  • the growth of British overseas trade will be looked at
  • the impact of Britain on Asian, African and American societies
  • the ideological effects of the American War of Independence, the French Revolution and the 1798 rebellion in Ireland
  • the meaning of Victorian values in Scotland and the development of modern political parties and the growth of democracy
  • the roles of gender and class in shaping modern British and Irish society
This class will enable students to understand the origins of both modern British society and the beginnings of an increasingly integrated global community. In the tutorials, each meeting will involve the examination of a key document or two, as well as a discussion of that week's topic.
History 1B

This class follows on from History 1A and takes the story up to the end of the 20th century. We'll look at:

  • the effects of World War I on Scottish society and why Ireland broke away from the United Kingdom
  • the growth of the Labour Party and the rise of socialism will be traced
  • the effects of the Great Depression of the 1930s on British society
  • the reasons why the British government formulated a policy of appeasement, to show how foreign policy and domestic policy were inextricably linked
  • the impact of World War II on British society
  • the demands that led to the creation of the Welfare State will be explored
  • the new international realities facing Britain in 1945
  • the beginnings of the Cold War, to show how effectively Britain adapted to the loss of Great Power status
  • post-war society and the cultural revolution of the "Swinging Sixties". We'll ask whether a generation gap emerged
  • the long slow march of women's rights
  • the impact of immigration, to show the ways in which British society was changing fundamentally
  • the collapse of the traditional industrial economy in the 1980s and changes in Scottish family life, to show how social norms were being overturned
  • the advent and effects of devolution in Scotland, Wales and Northern Ireland

Just as in the first semester History class, we will use carefully selected documents in tutorials to help us analyse each topic.

Compulsory

English & Creative Writing

Writing Through Time 1&2

These classes develop your understanding of literary criticism from our first-year classes by engaging with the question of the historical situatedness of literary production, offering an overview of key ideas, debates and literary texts from the Renaissance to the present. Once again our focus is on different genres of writing: this time, poetry, drama, and long and short prose fiction. Through these texts, you will engage with distinct modes of analysis, with literary critical approaches sitting alongside more innovative creative approaches.

Elective

The Construction of Scotland

This class offers a wide variety of ways of thinking about 'Scottishness' and Scottish national identity. The main aim of the class it to challenge assumptions of national identity as something that is coherent and fixed by exploring the many complexities, subtleties, and contradictions in Scottish identity. Focusing on issues of language, gender, and place, the class will encourage students to deepen their understanding of 'Scottishness' and the constructed nature of national identity through a literary and cultural lens.

Making the Modern Human

The class aims to introduce you to changing ideas about the human in relation to two key moments in history: the concept of the idea of the beast within from the age of Shakespeare, and the emergence of Darwin's theory of evolution in the mid-nineteenth century. The class will look at shifts in understanding the boundary between humans and animals and at what that meant for how people understood themselves at two very different moments in the past. Core to the class will be how scientific, philosophical and literary materials contemplate the same ideas.

TextLab

Textlab is one of several Vertically Integrated Projects (ViPs) running across the University. Each ViP brings together a team of undergraduates, postgraduates, and staff to work on a research-based project.

TextLab brings together students and staff from English/Humanities and Computer and Information Science. We work on research projects in the field of Digital Humanities (the application of computer-based technologies to the study of texts) – specifically using computers to analyse Shakespeare’s language, and building a website aimed at schools.

History

Scotland: Renaissance and Reformation

This course will focus on the period from the final establishment of the territorial boundaries of the Scottish kingdom in James III’s reign through to the Union of Crowns in 1603. In covering the era of the Renaissance and Reformation in Scotland, as well as the regnal union of 1603, it will focus on the reigns of successive Stewart monarchs and their subsequent accession to the English and Irish thrones, thereby creating a British imperial monarchy.

Scotland’s contact with Europe and its strained relations with England form core themes but political history will be studied in the light of the social, religious, economic and cultural developments that lend early-modern Scotland its distinct identity, thereby examining issues such as trade and economic development, the impact of the Renaissance in Scotland, literacy and the spread of reforming ideas, the arts, education and issues of identity.

Disease & Society

This class provides a broad introduction to the historical relationship between diseases and human societies in the early modern and modern periods.

It examines the core thesis that diseases and other health conditions have had dramatic impacts on history, shaping economic relations, political and social structures and cultural and religious beliefs.  However, it also explores the reverse of this, the thesis that human activities, ideas and behaviours have radically altered the diseases and conditions that afflict our societies over the last five hundred years.

The course is grouped around three themes:

  • infectious disease
  • chronic disease
  • society's responses to disease

Lectures in the first two sections focus on exploring the origins of key diseases/debilities, the ways in which social structures/behaviours have caused or abetted these conditions, and their impacts on society, economics, politics and culture.

In the final section, lectures focus more on the ways in which societies have sought to conceptualise, control and cure diseases. The key questions that students should be able to answer by the end is how have diseases and debilities shaped human societies, and how have human societies shaped diseases and debilities?

History of Scotland 1700-1832

This course will explore Scotland’s political, economic, religious, intellectual and social development in the aftermath of the Union of 1707 through to 1832.  The benefits, disadvantages and tensions that arose from the process of becoming part of the British state will be explored through such issues as:

  • causes and impact of union
  • the significance of Jacobitism
  • the nature and consequence of agricultural and industrial change
  • Empire
  • the role of the Scottish Enlightenment.
Modern Europe

This class examines some of the principal developments in international history of twentieth century Europe. It pays particular attention to:

  • the causes of the First World War
  • the impact of the war upon the international system
  • the rise of new powers within the international community after 1919
  • the causes of the Second World War
  • the Cold War and the forces driving European integration since 1945
  • the role of the USA and USSR in recent European history
In terms of geographical coverage the class will seek to balance consideration of Europe-wide developments with finer-focus treatment of French, Italian and German history. The class will introduce students to some of the main debates in the academic literature and encourage them to look at a range of relevant primary sources.

Compulsory

English & Creative Writing

Writing Short Fiction & Poetry

This core class will introduce creative writing students to two key genres: short fiction and poetry. Taught in workshop sessions by practising creative writers this will be a practice led class. On it, students will develop good practice related to the professional presentation of creative work, and will be introduced to the skills involved in reflecting critically on creative products and processes.

The class will build on the basic writing techniques that students have developed in their first and second year of study such as: point of view, characterisation, setting, dialogue and narrative structure. The class will also encourage and expect a more advanced and discerning set of reading skills. Looking at a wide range of material such as novels, short stories and poems the class will examine a range of different narrative strategies, contexts and approaches and use these as stimuli for creative work.

Dramatic Writing

This class will be based around a selection of screen and radio scripts that have formed the basis for dramatic works such as: The Graduate, Mad Men, Bladerunner, The True Story of Bonnie Parker and When Harry Met Sally and will introduce key concepts in the theory and practice of creative writing as these emerge in the context of writing for radio and screen.

Students will write dramatic scripts that demonstrate a good awareness of skills and techniques relevant to the genre, develop good practice related to the professional presentation of creative work, and be introduced to the skills involved in reflecting critically on creative products and processes. The class will be taught by practising creative writers.

Elective

Detective Fiction

This course will trace the development of crime fiction from the mid C19th until the present day. Beginning with some of the earliest depictions, we will examine short stories by Edgar Allen Poe and Arthur Conan Doyle, before going on to look at C20th representations of the literary sleuth in Britain and the USA. We will consider well-known examples from popular culture (eg Hercule Poirot and his 'little grey cells', the stereotype of the American private-eye) as well as more experimental, postmodern examples (Thomas Pynchon’s The Crying of Lot 49 and Paul Auster's New York Trilogy).

Throughout the course we will be concerned with connections between crime and the emergence of the modern city, questioning the extent to which detective fiction aims to impose a sense of rationality and closure on an otherwise uncertain and alienating world. In its concern with the social and cultural role of crime fiction, this course will also reflect on the importance of deconstructive, feminist, post-structuralist and psychoanalytic readings of the genre.

The Glasgow Novel

This class will trace the development of fictional representations of Glasgow from the beginnings of industrialism to the present age. In doing so, it will consider a wide variety of historical and literary approaches to depicting the city. Beginning with a brief history of the pre-C20th Glasgow novel, the course goes on to consider some of the most famous literary depictions of Glasgow, including McArthur and Long’s No Mean City, Archie Hind’s The Dear Green Place and Alasdair Gray’s Lanark.

Greek Theatre to National Theatre

This class is designed to introduce students to theatre practice starting with Greek theatre through to the work of the National Theatre for Scotland. The sessions are designed to be both theoretical and practical with students engaging with activities that illuminate the textual material studied. Drama was intended to be performed and to this end, study will also include that of set design and how that has evolved over the centuries taking into account the changes in style and expectations of an audience as well as the harnessing of technological advances.

Students will study in two-hour sessions to allow the theoretical underpinning to be embedded into the workshop activities and should be considered as a foundation for future study in theatre practice. The intention is to study a selection of plays, not as isolated written works, but in relation to their production and performance.

The class will give students insights into evolving theatre practices, predominately in Europe, through examination and analysis of dramatic fiction and their theatrical constructs. The class will draw upon the work of playwrights that will include Euripides, Shakespeare, Moliere, Pirandello, Chekov, Brecht, Beckett, Pinter, and Greig and examine the professional practice of contemporary theatre performers and directors. The class will work alongside practice-based research on the communication of dramatic fiction through theatrical performance.

International Influences

This class teaches you how various kinds of world literature have been influential on literature in English. Each week the lecture introduces a new literature, sometimes referring to one or two specific authors, and places the foreign literature linguistically, culturally and historically. We then look at specific influences on writers in English. Sometimes we will look at translations, sometimes adaptations, including into different media, and we will see that texts can lead to other texts through complex chains of influence.

Seminars often take a foreign text, and look at one or more English language variants of it.  One of the assessments is an essay involving analysis of adapted texts; the other is an essay on the more general issues which arise. Students are not expected to learn or know about any of the foreign languages involved.

Topics for 2019-20 are likely to be similar to those for the current year, which includes Sappho and Homer (Greek), Catullus (Latin), Dante and Petrarch (Italian), the Hebrew Bible, Borges (and other Latin Americans), Chinese and Japanese poetry, Scottish Gaelic, Indian and other South Asian literature, and Scandinavian (including Old English) literature.

 

Language in Business

This class explores the ways in which language is used in businesses and other organisations (including charities, government, education, etc.). The class also functions as an introduction to the theory of communication more generally; we explore how meaning is communicated, how texts are made coherent, why speaking is a way of acting, how conversations are structured, and how politeness is managed.

We consider gender as an aspect of organisations, and how language maintains and constructs gender. We look at the use and invention of words (eg brand names), including organisational metaphors and the use of storytelling in an organisation. We consider how language and communication differ across cultures, and how this can lead to cross-cultural misunderstanding, and we ask whether different languages shape different ways of thinking; as part of this, we consider the discourses of banal nationalism.

The materials we study may include websites, values statements, marketing brochures and posters, public apologies, political speeches, transcripts of e-mail interactions, and of meetings. One of the assessments is an essay involving analysis of one of these kinds of organisational discourse; the other is an essay on the more general issues which arise. Students are not expected to have any prior knowledge of linguistics or the analysis of language.

 

Reading Poetry

This class will examine the tools of poetry, including voice, rhyme, meter, schemes, and tropes, in a variety of genres and periods. The aim of this course is to introduce students to the conventions of poetry and the ways in which these conventions have been subverted or modified over time, allowing for innovation and introducing new voices, such as those of women, minorities and the working classes.

We will consider a number of poetic forms, such as the sonnet, the lyric, the epic, and the ode, with examples taken from the early modern to the present day. The principal aim of the class is to give students the tools required to read poetry with confidence.

The course will cover the sonnet, sonnet sequences, lyric poetry, dramatic monologues, narrative poetry, epic, satire, ekphrasis, and odes and elegies, and a wide range of authors including Donne, Pope, Byron, Christina Rossetti, Tennyson, Dickinson, Poe, Siddal, Rilke, Plath, Angelou, and Atwood.

Sex, Revenge & Corruption in Renaissance Drama

This class will focus on drama, a key genre in the period from the 1580s to the closure of the playhouses in 1642. Reading work by major dramatists such as William Shakespeare, Christopher Marlowe, Ben Jonson and Thomas Middleton, we will engage with a form that addressed both a highly literate and a popular audience, and is thus a particularly interesting place to trace ways of thinking in the period.

The common thread that ties this selection of plays together is their interest in transgression: what happens when humans cross the limits set by tradition, religion and the state? In the process of this theatrical interrogation, the plays pose questions about violence, identity, gender, desire, citizenship and the role of the theatre itself. We will read tragedies and comedies, and wonder why tragedies in this period are so often comic, and why the comedies end badly.

TextLab

Textlab is one of several Vertically Integrated Projects (ViPs) running across the University. Each ViP brings together a team of undergraduates, postgraduates, and staff to work on a research-based project.

TextLab brings together students and staff from English/Humanities and Computer and Information Science. We work on research projects in the field of Digital Humanities (the application of computer-based technologies to the study of texts) – specifically using computers to analyse Shakespeare’s language, and building a website aimed at schools.

Theories of Literature & Wellbeing

The relationship between literature and wellbeing is of interest to the a number of employers and professions, including health and social care (evidenced by the journal Medical Humanities and the 'Get into Reading' programme run by The Reader, a charity). However investigations into the potential benefits of reading or hearing literature are hampered at the moment by the lack of a theoretical base from which to start. Academic work in English and literature is growing more interdisciplinary with sustained interest in the psychology of the reading experience for example.

This class combines recent academic research with the needs and interests of students to assess a number of theories which relate literature to wellbeing. It also encourages students to reflect on their own experiences as students, readers and critics of literature. Students with an interest in arts therapy may find the class a useful part of their degree, as well students considering teaching English or working in libraries, arts organisations or social care.

The class will also provide a new avenue for literary investigation for students who may be considering going on to do interdisciplinary research. The learning outcomes will differ from learning objectives insofar as they focus on broader cognitive abilities, non-subject specific skills or graduate attributes.

  • improved ability to understand what a theory is and how it can be evaluated
  • enhancement of skills taught in other English classes, such as textual analysis, argumentation, group discussion etc
Writing War

This class explores the literature of conflict in the 20th and 21st centuries, from the First World War to the Iraq War. The class treats war as a complex cultural phenomenon rather than a simple military activity, and as such we explore not only the literature of combat but also a range of texts.

History

Oral History: Theory and Practice

Please note that this is compulsory for students who wish to use oral history in their dissertation.

Oral history is a way of engaging with the past via the experiences and memories of those who were there. ‘Oral history’ is a multifaceted term that refers to the sources (interviews), the methodology (interviewing), theory (analysis), and products (of which there are many).

This new class aims to alert students to the possibilities of using oral history as a way of understanding the past. It will examine key concepts and methodologies in oral history and explore how oral history has helped to shape historical understanding.

This class also has an important practice-based focus – students taking the class will gain an opportunity to develop practical skills in oral history interviewing and analysis as well as to reflect critically on theory in relation to practice. They will also get an opportunity to explore the application and use of history in the public arena through engaging with work on oral history and public history.

Because of the practical nature of this class and the limited supply of equipment, numbers are capped at 25.

Religion Behind the Iron Curtain

This class will explore Church-State relations, together with the dilemmas faced by ordinary Christians and Communists, in a number of ‘satellite’ countries of East-Central Europe during half a century of Cold War.  Seminar topics will include:

  • the show trial of so-called ‘Vatican agents’ in Prague and Bratislava
  • a ‘miracle’ faked by the Secret Police
  • the case of a cardinal who took refuge in the US Embassy in Budapest
  • the election of a Polish Pope and the spirituality of the Polish Solidarity movement
You should take this class if you want to engage imaginatively with both Communist and Catholic perspectives of the post-war period, read independently from a wide variety of primary sources and participate fully in seminar discussion and debate.
Disability in Modern Britain

The aim of this class is for to gain an understanding of the key role that disability plays in the study of the historical past.

The class will explore the ways in which disability has been defined, treated and experienced. It will place developments in disability policy within wider social, cultural and political contexts. Students will engage with, and think critically about, primary sources ranging from official papers, newspaper articles, and oral testimonies, in addition to relevant secondary source material.

The use of oral testimonies in particular will help students to consider the lived experiences of disabled people and the ways in which society sought to define and treat disability. 

Medicine & Warfare

This class explores the role that health and medicine has played in the major wars of the twentieth century. In particular, it considers the vital contribution that medicine has made to manpower economy, discipline and morale.

Focusing predominantly on Britain, the USA and Europe, the class analyses the ways that different countries have responded to the medical issues posed by modern warfare in both military and civilian contexts. As such, it considers issues such as wartime disability, welfare provision, occupational health and psychiatry, and explores the role that military doctors, women and humanitarian organisations have played in shaping medical responses to war.

The key objective of this class is to place military-medical developments within their wider social, cultural and political contexts and to examine the impact of military health and medicine on the lived experience of war.

France at War

The class begins with the traumatic episodes of the Franco-Prussian War and the Communes of 1871. By analysing the often problematic political and cultural consolidation of the Third Republic, this class will explore the ‘culture wars’ and the internal divisions that culminated in the Dreyfus Affair. After the humiliation of losing its status as Europe’s dominant power, France sought greatness in colonial expansion in Africa and Indochina, while seeking to consolidate national identity by transforming ‘peasants into Frenchmen’.

You'll explore the experiences of the First World War, assessing the strength of French unity in the face of the German enemy. The interwar clashes between fascism and the Popular Front will then be examined and how the First World War impacted upon French foreign policy and attitudes towards future war.

You'll spend three weeks exploring the enduring controversies of the Second World War, focusing upon the collapse, resistance, collaboration, and French involvement in the persecution of the Jews, as France faced its ‘hereditary enemy’ once again.

The class concludes with an analysis of the French withdrawal from Indochina and Algeria and an assessment of France’s position in the post-war global order.

A variety of sources will be explored throughout the class, including paintings, monuments, films, literary sources, newspaper reports, memoirs and archival documents. 

Propaganda & War in the Twentieth Century

This class examines means by which states conduct informal activities to promote their domestic and foreign objectives during wartime. In particular, it analyses the role of propaganda throughout the twentieth century, focusing on the use of modern mass communication and technology by states involved in conflicts.

The class is structured around a number of historical themes, which help shed light on the emergence of propaganda as an important means of modern warfare. Key themes analysed throughout the course include:

  • the First World War as the first ‘total war’
  • the growth of international radio broadcasting
  • the creation of centralised propaganda machines in Nazi Germany and the Soviet Union
  • home-front propaganda during the Second World War
  • propaganda, disinformation and the Cold War
  • the United States and the experience of Vietnam
  • information, media coverage and the Gulf War
  • 9/11 and the war on terrorism
During seminars, students will be exposed to relevant primary source material. Particular attention will be given to understanding the theory and practice of propaganda and analysing how technological developments have contributed to shaping modern information and mass persuasion.
Historiography

This class is compulsory for students who want to study history at Honours level.

This class will introduce students to the methods used by historians to reconstruct the past, exploring and analysing the techniques used by historians in doing primary research. The class is designed to demonstrate how students can use these techniques in their own work, particularly their 4th year/Honours dissertation.

Among the topics that will be covered are:

  • constructing bibliographies
  • using evidence
  • using academic conventions
  • constructing research plans
  • writing historical prose
The class will also introduce students to the subject of historiography – the history of history – and the ways in which our understanding and construction of history has evolved. The class is designed to promote independent learning and encourage students to reflect more deeply on the subject matter.
Communism in Practice: the Case of Czechoslovakia

Czechoslovakia, the last post-war European country to fall behind the Iron Curtain, was exceptional in allying itself to the Soviet Union voluntarily and in bringing its own Communists to power more or less democratically. Confident at first that it would be able to pursue its own path to socialism, the Czechoslovak Communist Party soon became one of the most rigidly Stalinist of all the Soviet satellites. The same Party which, in the 1950s, held some of the most notorious show-trials and put up the largest statue of Stalin to be found anywhere in the world, became, in the 1960s, the author of 'Socialism with a Human Face', a package of attempted economic and political reforms explosive enough to end in the country’s invasion by most of its Warsaw Pact allies.

This class will seek to move beyond the stereotypes and oversimplifications of Communism passed down by Cold War rhetoric to explore the shifting nature of Communist thought, power politics and international relations in this most perplexing of times in the history of Central Europe.

Genocide in the 20th Century

The objectives of this class include introducing students to recent examples of genocide and related mass atrocities, and writing and thinking about these cases in a critical and engaged manner through analysis of primary and secondary materials.

Students will be introduced to historical, sociological, anthropological, and legal perspectives related to the occurrence of genocide and related atrocity crimes. Using case studies from the 20th century, we'll discuss:

  • contemporary issues related to the labelling of cases
  • the evolution of international legal, diplomatic, economic and military measures to prevent, interdict and punish atrocity crimes
  • the phenomenon of genocide denial
  • the politics of commemoration
  • the lingering legacies of violence on individuals and communities in the post-genocide period

Case studies will include clear-cut (recognized in international humanitarian law) examples of genocide, including:

  • the Armenian genocide
  • the Holocaust in Nazi-occupied Europe
  • the 1994 Rwandan genocide

Less clear-cut examples will also be looked at, such as:

  • Canada’s Residential School System
  • Stalinist crimes in Soviet Russia
  • Khmer Rouge atrocities in Cambodia
  • the scorched earth policies in Guatemala
  • ethnic cleansing surrounding the Bosnian War.
Society and Politics in Colonial India: 1880s-1947

This class will cover the political developments and social groups from the late-nineteenth century till the decolonisation of South Asia in 1947.

This is a key period in the social and political history of modern South Asia as it witnessed the growth of a mass-based anti-colonial struggle.  Simultaneously, the involvement of different social groups in this process led to the emergence of community and caste based identity politics.  Under pressure from demands for independence, the colonial state initiated a process of phased devolution of power, and decolonisation after the Second World War.  The class will compare these developments to raise questions about the 'modernity' of colonial society and polity.  The class will analyse how different social groups - such as the peasantry, the working class and tribal groups - participated in and shaped political movements in South Asia.

Students will also be encouraged to use the regional perspective of South Asian history to understand the different expressions of class, gender and ethnicity in non-Western societies.

Cold War Europe
Scotland’s Highland Problem

Historiography had tended to isolate Highland history from Scottish political development during the late medieval and early modern periods.  This class will re-address this trend, emphasising the Highlands as an integral part of Scottish society, at the same time exploring the division within Scotland between the ‘barbaric’ Highlands and the ‘civil’ Lowlands.

Students will study the nature and structure of clan society and place Highland events within the wider context of national and British politics during the sixteenth century.  While relations between the Scottish crown and its Highland subjects is the key theme of this class, students will analyse the extent to which such relations changed through time, and why.

The class will also highlight divergent policies within clan society itself, a factor which warns against treating the Highlands as a homogenous whole, instead taking into consideration regional, local and personal biases.  

Scottish Society Since 1914

The class provides a broad survey of Scottish social history since 1914. The aim of this class is to explore the nature and development of Scottish society in the twentieth century by assessing the impact of industrialisation and the problems associated with de-industrialisation, as well as the development of an urban society.

By the end, the successful student should have expanded their knowledge of contemporary Scottish history and have a good idea of the diversity of issues, techniques and arguments which historians have deployed in the study of twentieth-century Scotland. Among the themes to be covered are:

  • the extent to which Scotland had a recognisable culture and identity
  • the myths and realities of 'Red Clydeside'
  • the notion that Scotland was a more intensely patriarchal society than the rest of Britain
  • the idea that Scotland was an anti-immigrant, racist and religiously intolerant society

Year abroad

Year abroad

This is the year abroad, spent either studying at a foreign university or working as a language assistant or on a work placement. This year is compulsory to gain entry into Honours.

The Dissertation is compulsory for single honours students and optional for joint-honours students.

English & Creative Writing

Dissertation

This individual project involves original academic research under one-on-one supervision with a member of staff. In addition, you will choose from a range of research and practice led options.

Elective

Creative Economies & Culture Industry

This Honours option will explore how 'creative economies' operate in the twenty-first century, using a focus on local industries to investigate global issues and challenges. It will enable students to understand how the concepts of 'creative economy', 'cultural industry' or 'creative industries' developed, and explore the controversies which have often surrounded these terms.

Literature, Mind & Brain

This class responds to developments in literary research which are drawing on findings in cognitive science. A number of PhDs and postdoctoral researchers, as well as more experienced literary scholars, are using these findings to ask questions about the nature of literary experience in general, and the nature of specific literary texts in particular. In addition, the class responds to the increasing demand for interdisciplinary skills for humanities students. This is likely to appeal to honours English students who wish to bridge the gap between the critical analysis of texts and the rapidly changing model of human cognition emerging from psychology, neuroscience and philosophy.

The class will combine a weekly reading of a scientific or philosophical article with a short literary text and consider the implications of and/or problems with the article in the light of the literary text. No class of this kind is currently on offer at Strathclyde.

New Narratives

The publishing world is changing rapidly with the advent of digital publishing and the ebook. This class will enable students to explore new possibilities and write for new markets and platforms. It will also look at skills that students need for a career in both traditional and digital publication such as editing, submitting work and performing/reading work in front of an audience.

This class aims to hone the skills students have acquired in previous years to produce new work for print, performance and for a range of digital platforms. It will also provide an up-to-date examination of the publishing world and will include reflective element.

The 1930s: Literature & Culture

The 1930s is a period of cultural and political instability that is dominated by the inequalities between rich and poor, by problems with employment and housing, and by an insecure international situation in which the United Kingdom is increasingly isolated from developments in continental Europe. Into this conflict come authoritarian populist politicians intent on restoring strong leadership and the restoration of past national glories, and on the other side coalitions of the liberal left seeking a new politics to resist such authoritarian thinking. It is a period, in other words, strikingly like our own.

In taking the class you will gain an understanding of the distinctive concerns of the literature and wider culture of the 1930s. We will pay particular attention to formal questions that dominate the decade’s literature - those of documentary, realism, and the legacy of Modernism - as well as to thematic issues of class division and national identity, urbanisation, and domestic politics.  You will also gain an understanding of the relationship between literature and other forms of cultural production in the period, particularly journalism and documentary cinema.

By taking part in the class you will develop your abilities in close critical reading of literary texts and will gain further experience of independent learning and essay and examination writing.

The Power of Underlying Material: Adaptation, book to film & beyond

This class is an elective option in fourth year English that encourages students to look at the layering process involved in adapting a piece of underlying material either for literature or for the screen. We will examine a comprehensive range of source texts that inform many literary works and much of the screen drama available in the late 20th century and, in particular, in the current marketplace.

The class will complement the third year core class in Creative Writing, and will also be useful to those undertaking honours dissertations in Creative Writing. As well as exercises in close reading, and theoretical analysis, the class will emphasise the commercial realities of basing work on underlying material.

Sixties Britain: Literature, Culture, Counterculture

The 1960s are often thought of as the decade of hedonism, hippies, free love and The Beatles. Yet the sixties were also a time of deep political unrest and activism, during which political movements for civil rights, anti-war and women’s liberation gained momentum. In addition, the 1960s were a decade of important technological advancements (including the introduction of colour television and developments in space exploration) which would have a fundamental effect on culture in Britain and beyond. This aim of this class, therefore, is to explore the legacy of the 1960s, its representation through a variety of key literary, cultural and critical texts.

Beginning with an examination of British culture through a literary lens in the late 1950s, it goes on to explore the central tensions of the decade. In doing so, students will engage with a variety of classic texts of the period, examining the 1960s in terms of culture vs counterculture, class, race and gender, reflecting on just how controversial the decade actually was.

Songs: music & literature

This class looks at songs of different kinds. We ask what makes songs both similar to, and different from, poems. We explore how words are fitted to musical structures, including rhythms and tunes. We examine how poems are set to music, or otherwise accompanied by music; we consider the difference between poetic and musical metre, and the use of rhyme. We explore different kinds of singing style.  We examine why songs give us strong emotional experiences.

We consider the difference between high and low cultures in songs, and the borrowing of songs between genres. We consider the role of songs in constructing identity, including national identity. We consider popular and rock songs, folk songs, and classical songs; in addition we will look at some overseas song traditions (eg Chinese, Australian Aboriginal).

One of the assessments is an essay involving analysis of a song which you choose yourself; the other is an essay on the more general issues which arise.

Students are not expected to have any prior knowledge of music or linguistics, or musical ability.

Soviet Literature: 1917-1967

This class looks at three key moments in the history of the Soviet Union, and explores how political contexts radically different from those in western Europe affected the way literature was written and interpreted.

All texts are in English, translated from Russian. The Russian Revolution in 1917 happened at a moment of intense experimentation in literature across Europe. In the early revolutionary years, many Soviet writers of the avant garde explored the possibility of experimental writing which could both reach the masses and help to bring about social change. We will look at both the literary theory and some of the experimental texts from this period, including a film. In the 1930s, during Stalin's rule, this revolutionary approach was sidelined by a top down emphasis on 'Soviet socialist realism', fiction that is easily accessible and offers a vision of a brighter future for a population living through unprecedented change. We will look at three of these Socialist Realist novels and appraise how far they conformed with the ambitions of the state, as well as considering the nature of literary realism itself.

Finally, we will consider literature by dissidents, writers who increasingly challenged the Communist regime in the 'Thaw' that followed Stalin's death in 1953, looking at novels by two dissident writers, including Boris Pasternak's Dr Zhivago.

Victorian Gothic

This class will examine the development of the Gothic tradition in a diverse selection of Victorian texts which will include works by the Brontes, Bram Stoker, H. G. Wells, Oscar Wilde and Arthur Conan Doyle.

The aims of the course are twofold. Firstly, we will consider the literary origins and devices of Gothic in the popular novels and short stories of the Romantic period (eg Mary Shelley’s Frankenstein), and trace the ways in which major Victorian authors modified them, paying attention to questions such as genre and inter-textuality. However, these textual studies will continually be placed within a broader historical and social context: the principal aim of the class is to assess how an understanding of the fascination of the Gothic mode for Victorian authors can be used as a tool for exploring the complexities of nineteenth-century society.

We will use the texts to consider issues such as urbanisation, scientific progress, religious crisis, Empire, new forms of communications technology and print culture, the ‘New Woman’, deviant sexualities, degeneration, decadence and the fin-de-siècle.

Throughout, the texts will be read ‘against the grain’ by employing a range of critical terminology (such as Freud’s work on dreams or recent work on ‘female Gothic’).

Wild in the Renaissance

The concept of 'the wild' is one that emerges in many different ways in the writings of the Renaissance; in relation to self-cultivation (holding back the wildness within), the control of one's world (taming the ever-present wilderness); and in relations with fellow humans in a changing world (in savage domination). These ideas get played out in numerous ways in the period - from poetic use of the symbolic resonance of gardens and gardening; the religious underpinnings of the 'missionary endeavour' in the New World and what that says about the concept of human nature; to the anxious self-examination of humanity's inevitable sinfulness.

This class will thus introduce you to key canonical texts from the period – plays, poetry, and court masques – by writers including Shakespeare, Jonson, and Milton, and will also engage with a critical and theoretical debates about the relationships between humans and the natural world from the new fields of animal studies and ecocriticism.

Contemporary Travel Writing

This class engages with some of the key tensions in contemporary travel writing from race and sexuality, to issues of cultural stereotyping and ‘foreignness’. By working through a series of international case studies ranging from India to North America, the class will address why travel continues to be an important metaphor for thinking about our experience of the world, as well as offering a framework for how we understand it.

Forms of Feminism in Contemporary Literature

The class will explore how feminist concerns are represented in contemporary literature, and how literary forms shape contemporary feminism. Students will encounter some of the most important literary works of the post-1990 period, and learn to make connections between literary analysis and feminist theory. Engaging with a diverse range of literary forms—from novels, poems and plays to comics and manifestos—students will leave the course with an advanced understanding of the role literature plays in contemporary feminist politics.

History

Compulsory classes

The Scramble for the Middle East: Arab Nationalism, Zionism & European Colonial Powers, 1914-1939

The interwar years are central to any analysis of the decline of European colonial rule in the Middle East and the formation of nation states. It was in the 1920s and 1930s that British and French mandatory authorities faced the emergence of nationalist movements throughout the Arab world as well as the increasing competition and penetration of hostile forces.

Students will examine historical themes and events that are significant to the development of political and cultural identities in the Middle East. Through the analysis of primary sources, students will focus on:

  • the debate surrounding British and French colonial practices
  • the emergence of the Zionist movement and the creation of a Jewish home in Palestine
  • the radicalisation of Arab nationalism and its impact upon the relations between local political elites and European colonial powers
  • the increasing tension between Jewish and Arab communities in Palestine
  • the creation of the mandates in Palestine, Transjordan, Syria and Lebanon and the process that led to the independence of Egypt and Iraq
  • the challenge brought by German and Italian subversive activities to British and French strategic interests in the region
Twentieth-Century Czechoslovakia

The class will explore major themes in twentieth-century European history:

  • the post-World War I settlement
  • the rise of fascism
  • the origins and course of the Second World War, Soviet expansion, the Cold War, the social and political revolutions of the 1960s and the waning of the Soviet Union in the 1980s and 1990s -- from the perspective of a central European country which was created in 1918, dissolved in 1993, and whose opinions were seldom taken into account by the Great Powers

Students will obtain a solid grounding in the history of Czechoslovakia from its creation to its dissolution. The class should also offer a useful introduction to themes in twentieth-century European history more generally.

Independent reading will concentrate heavily on source material, enabling students to taste the excitement as well as the frustrations of historical research. By being encouraged to view European affairs from a Czech perspective while at the same time having special responsibility for one other European country, students will be led to consider the problems of historical bias and subjectivity, and should develop historical empathy as well as considerable sensitivity to the complexity of international affairs.

Rwanda: Peace, Conflict & the Politics

The purpose of this special subject is to introduce students to the study of peace and conflict, broadly defined, and to encourage them to write and think about these subjects in a critical and engaged manner informed first and foremost by history-based discourse, but also borrowing from political science, anthropology, and related disciplines.

The module will focus on the case study of Rwanda, with individual classes proceeding chronologically.

The first semester will cover the pre-colonial period to the start of the second Hutu Republic in 1973, while the second semester will cover 1973 to present.

Throughout, students will analyse relevant primary and secondary sources to explore the benefits of applying a historical lens to understanding a nation whose recent history includes both periods of peace and political stability, and several manifestations of state-sanctioned violence, including colonialism, small-scale ethnic, regional, and political conflicts, civil war, genocide, and authoritarianism.

Students seeking careers in human rights advocacy, international law, diplomacy, and journalism will also find this course particularly relevant.

Plantation in Ulster

This class will explore the plantations that took place in Ulster during the late sixteenth and early seventeenth centuries.

Students will examine the emergence of the idea for plantation in Ireland, why Ulster was regarded as suitable for plantation, and the various endeavours by English and Scots to settle in the north of Ireland, whether by private enterprise or by the state. This will culminate in the official Plantation of Ulster, a 'British' project initiated by James VI and I in the early years of his reign as king of England, Ireland and Scotland.

Students will also look at a couple of cases studies of individuals who were involved in plantation, enabling a detailed study of the political, social, economic and confessional reasons why they chose to migrate to and settle in Ireland at this time.

Elective classes

France at War, 1870-1962

The class begins with the traumatic episodes of the Franco-Prussian War and the Communes of 1871. By analysing the often problematic political and cultural consolidation of the Third Republic, this class will explore the ‘culture wars’ and the internal divisions that culminated in the Dreyfus Affair. After the humiliation of losing its status as Europe’s dominant power, France sought greatness in colonial expansion in Africa and Indochina, while seeking to consolidate national identity by transforming ‘peasants into Frenchmen’.

You'll explore the experiences of the First World War, assessing the strength of French unity in the face of the German enemy. The interwar clashes between fascism and the Popular Front will then be examined and how the First World War impacted upon French foreign policy and attitudes towards future war.

You'll spend three weeks exploring the enduring controversies of the Second World War, focusing upon the collapse, resistance, collaboration, and French involvement in the persecution of the Jews, as France faced its ‘hereditary enemy’ once again.

The class concludes with an analysis of the French withdrawal from Indochina and Algeria and an assessment of France’s position in the post-war global order.

A variety of sources will be explored throughout the class, including paintings, monuments, films, literary sources, newspaper reports, memoirs and archival documents.

Medicine & Warfare in the Twentieth Century

This class explores the role that health and medicine has played in the major wars of the twentieth century. In particular, it considers the vital contribution that medicine has made to manpower economy, discipline and morale.

Focusing predominantly on Britain, the USA and Europe, the class analyses the ways that different countries have responded to the medical issues posed by modern warfare in both military and civilian contexts. As such, it considers issues such as wartime disability, welfare provision, occupational health and psychiatry, and explores the role that military doctors, women and humanitarian organisations have played in shaping medical responses to war.

The key objective of this class is to place military-medical developments within their wider social, cultural and political contexts and to examine the impact of military health and medicine on the lived experience of war.

Religion Behind the Iron Curtain

This class will explore Church-State relations, together with the dilemmas faced by ordinary Christians and Communists, in a number of ‘satellite’ countries of East-Central Europe during half a century of Cold War.  Seminar topics will include:

  • the show trial of so-called ‘Vatican agents’ in Prague and Bratislava
  • a ‘miracle’ faked by the Secret Police
  • the case of a cardinal who took refuge in the US Embassy in Budapest
  • the election of a Polish Pope and the spirituality of the Polish Solidarity movement
You should take this class if you want to engage imaginatively with both Communist and Catholic perspectives of the post-war period, read independently from a wide variety of primary sources and participate fully in seminar discussion and debate.
Scottish Society

The class provides a broad survey of Scottish social history since 1914.

The aim of this class is to explore the nature and development of Scottish society (and place it in a wider context) and to examine dominant narratives of Scotland and Scots in the twentieth century.

By the end, the successful student should have expanded their knowledge of contemporary Scottish history and have a good idea of the diversity of issues, methodologies and arguments which historians have deployed in the study of twentieth-century Scotland.  Among the themes to be covered are:

  • gender relations (for example, analysis of the Scottish ‘hard man’ narrative)
  • religion (including sectarianism and secularisation)
  • health and deprivation
  • the arts and culture (including festivals, theatre, cinema and television)
  • industry (and de-industrialisation and its impacts)
Overall, this class will explore the extent to which Scotland had a recognisable national culture and identity and assess and deconstruct narratives of Scottish society since 1914.
Scotland’s Highland Problem

Historiography had tended to isolate Highland history from Scottish political development during the late medieval and early modern periods.  This class will re-address this trend, emphasising the Highlands as an integral part of Scottish society, at the same time exploring the division within Scotland between the ‘barbaric’ Highlands and the ‘civil’ Lowlands.

Students will study the nature and structure of clan society and place Highland events within the wider context of national and British politics during the sixteenth century.  While relations between the Scottish crown and its Highland subjects is the key theme of this class, students will analyse the extent to which such relations changed through time, and why.

The class will also highlight divergent policies within clan society itself, a factor which warns against treating the Highlands as a homogenous whole, instead taking into consideration regional, local and personal biases.  

Communism in Practice: the Case of Czechoslovakia

Czechoslovakia, the last post-war European country to fall behind the Iron Curtain, was exceptional in allying itself to the Soviet Union voluntarily and in bringing its own Communists to power more or less democratically. Confident at first that it would be able to pursue its own path to socialism, the Czechoslovak Communist Party soon became one of the most rigidly Stalinist of all the Soviet satellites. The same Party which, in the 1950s, held some of the most notorious show-trials and put up the largest statue of Stalin to be found anywhere in the world, became, in the 1960s, the author of 'Socialism with a Human Face', a package of attempted economic and political reforms explosive enough to end in the country’s invasion by most of its Warsaw Pact allies.

This class will seek to move beyond the stereotypes and oversimplifications of Communism passed down by Cold War rhetoric to explore the shifting nature of Communist thought, power politics and international relations in this most perplexing of times in the history of Central Europe.

Genocide in the 20th Century

The objectives of this class include introducing students to recent examples of genocide and related mass atrocities, and writing and thinking about these cases in a critical and engaged manner through analysis of primary and secondary materials.

Students will be introduced to historical, sociological, anthropological, and legal perspectives related to the occurrence of genocide and related atrocity crimes. Using case studies from the 20th century, we'll discuss:

  • contemporary issues related to the labelling of cases
  • the evolution of international legal, diplomatic, economic and military measures to prevent, interdict and punish atrocity crimes
  • the phenomenon of genocide denial
  • the politics of commemoration
  • the lingering legacies of violence on individuals and communities in the post-genocide period

Case studies will include clear-cut (recognized in international humanitarian law) examples of genocide, including:

  • the Armenian genocide
  • the Holocaust in Nazi-occupied Europe
  • the 1994 Rwandan genocide

Less clear-cut examples will also be looked at, such as:

  • Canada’s Residential School System
  • Stalinist crimes in Soviet Russia
  • Khmer Rouge atrocities in Cambodia
  • the scorched earth policies in Guatemala
  • ethnic cleansing surrounding the Bosnian War
Society & Politics in Colonial India

This class will cover the political developments and social groups from the late-nineteenth century till the decolonisation of South Asia in 1947.

This is a key period in the social and political history of modern South Asia as it witnessed the growth of a mass-based anti-colonial struggle.  Simultaneously, the involvement of different social groups in this process led to the emergence of community and caste based identity politics.  Under pressure from demands for independence, the colonial state initiated a process of phased devolution of power, and decolonisation after the Second World War.  The class will compare these developments to raise questions about the 'modernity' of colonial society and polity.  The class will analyse how different social groups - such as the peasantry, the working class and tribal groups - participated in and shaped political movements in South Asia.

Students will also be encouraged to use the regional perspective of South Asian history to understand the different expressions of class, gender and ethnicity in non-Western societies.

Learning & teaching

English & Creative Writing

In Year 1 you'll have two lectures and one workshop per week. The rest of your teaching is in your other two subjects.

In Year 2, you will have three lectures and two workshops a week and in Years 3 and 4, you will have between two and four lectures and workshops a week, depending on whether you are undertaking joint or single Honours.

A large part of your week will be spent reading in preparation for classes.

History

You'll be assessed through group work, projects, presentations, dissertations, document analysis, essays and exams.

Assessment

English & Creative Writing

Most classes are assessed by a mixture of essays or other written work and by exams. For some classes, there are no exams and in some cases, oral work is assessed. The approximate coursework/exam split for the majority of classes is as follows:

  • Year 1 - 75/25% 
  • Years 2 & 3 - 75/25%
  • Year 4 - 50%/50%

History

You'll be expected to attend lectures and seminars and take part in group projects. Bibliographic search sessions in the University Library will also be provided. We encourage the close, critical reading of texts and the evaluation of historical controversies to help self-directed learning and improve your analytical skills.

Glasgow is Scotland's biggest & most cosmopolitan city

Our campus is based in the very heart of Glasgow, Scotland's largest city. National Geographic named Glasgow as one of its 'Best of the World' destinations, while Rough Guide readers have voted Glasgow the world’s friendliest city! And Time Out named Glasgow in the top ten best cities in the world - we couldn't agree more!

We're in the city centre, next to the Merchant City, both of which are great locations for sightseeing, shopping and socialising alongside your studies.

Find out what some of our students think about studying in Glasgow!

Find out all about life in Glasgow
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Entry requirements

Required subjects are shown in brackets.

Highers

Standard entry requirements:

  • 1st sitting: AAAA
  • 2nd sitting: AAAABB

(Higher English, Maths/Applications of Mathematics National 5 B, or equivalent)

Minimum entry requirements*:

  • 1st sitting: AABB
  • 2nd sitting: AABBB

(Higher English B and Maths/Applications of Mathematics National 5 C)

*Find out if you can benefit from this type of offer.

A Levels

Year 1 entry: ABB-BBB
Year 2 entry: AAA-ABB

(GCSE English Language 6/B or Literature 6/B, GCSE Maths 4/C)

International Baccalaureate

36

(Maths SL5)

HNC

Social Sciences:

Year 1 entry: A in Graded Unit; Maths National 5 B, or equivalent

International students

Find out entry requirements for your country by visiting our country pages.

Additional Information

  • deferred entry is not normally accepted
  • student numbers for optional classes may be limited in years 3 and 4

Widening access

We want to increase opportunities for people from every background. Strathclyde selects our students based on merit, potential and the ability to benefit from the education we offer. We look for more than just your grades. We consider the circumstances of your education and will make lower offers to certain applicants as a result.

Find out if you can benefit from this type of offer.

Degree preparation course for international students

We offer international students (non-EU/UK) who do not meet the academic entry requirements for an undergraduate degree at Strathclyde the option of completing an Undergraduate Foundation year programme at the University of Strathclyde International Study Centre.

Upon successful completion, you will be able to progress to this degree course at the University of Strathclyde.

International students

We've a thriving international community with students coming here to study from over 100 countries across the world. Find out all you need to know about studying in Glasgow at Strathclyde and hear from students about their experiences.

Visit our international students' section

map of the world

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Fees & funding

2020/21

All fees quoted are for full-time courses and per academic year unless stated otherwise.

Scotland/EU

TBC

Fees for students domiciled in Scotland and the EU are subject to confirmation in early 2020 by the Scottish Funding Council.

(2019/20: £1,820)

Rest of UK

TBC

Assuming no change in RUK fees policy over the period, the total amount payable by undergraduate students will be capped. For students commencing study in 2020/21, this is capped at £27,750 (with the exception of the MPharm and integrated Masters programmes), MPharm students pay £9,250 for each of the four years. Students studying on integrated Masters degree programmes pay an additional £9,250 for the Masters year with the exception of those undertaking a full-year industrial placement where a separate placement fee will apply.

(2019/20: £9,250)

International

£15,300

University preparation programme fees

International students can find out more about the costs and payments of studying a university preparation programme at the University of Strathclyde International Study Centre.

Available scholarships

Take a look at our scholarships search for funding opportunities.

Please note: All fees shown are annual and may be subject to an increase each year. Find out more about fees.

How can I fund my studies?

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Students from Scotland and the EU

If you're a Scottish or EU student, you may be able to apply to the Student Award Agency Scotland (SAAS) to have your tuition fees paid by the Scottish government. Scottish students may also be eligible for a bursary and loan to help cover living costs while at University.

For more information on funding your studies have a look at our University Funding page.

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Students from England, Wales & Northern Ireland

We have a generous package of bursaries on offer for students from England, Northern Ireland and Wales:

You don’t need to make a separate application for these. When your place is confirmed at Strathclyde, we’ll assess your eligibility. Have a look at our scholarship search for any more funding opportunities.

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International Students (Non-UKScholarships, EEA)

We have a number of scholarships available to international students. Take a look at our scholarship search to find out more.

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English and Creative Writing & History

Qualification: BA

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Contact us

Undergraduate Selection

Our team are available to chat from Monday to Friday 9am-5pm GMT.

Telephone: +44 (0)141 444 8600

Email: hass-ug-selectors@strath.ac.uk